| Even the most accomplished photographers
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| | ears ... a bicycle protruding from the
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| who've moved into the digital age
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| | bride's backside ... the potential
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| experienced an awkward first time, a
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| | disasters of background "noise" are
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| dreaded beginner's learning curve. You
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| | endless. Always check before you
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| don't have to face your digital future
| |
| | click!5. Digitals Hate the NightJust
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| with fear and dread! Here are seven quick
| |
| | believe it. You'll want to use a tripod
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| tips to make your new photographic
| |
| | if you do a lot of night shots. Even with
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| venture quite painless:1. Start
| |
| | a "night" setting, which most basic
|
| SimplyConsider an inexpensive digital
| |
| | digital cameras have, you're apt to get
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| that will let you practice techniques
| |
| | blurred photos as the camera races
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| using basic and automatic settings,
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| | against itself to manage the dim light.6.
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| including auto-flash and video display.
| |
| | Move AroundThere's no better time to
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| You can easily move up to more complex
| |
| | experiment with perspective, light and
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| models as you become more comfortable
| |
| | color than when you're starting out. Move
|
| with the technology.2. Step Into the
| |
| | around your subject to test your camera
|
| Light!One common characteristic of
| |
| | angles, your perspectives and to know
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| digital cameras is a small built-in flash
| |
| | both opportunities and limitations your
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| that struggles in what you'd usually
| |
| | digital presents.7. Watch the Sun and
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| consider adequate lighting for decent
| |
| | ShadowsEven using an automatic flash
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| pictures. Always automatically ask for
| |
| | adjuster, shooting into the sun on a
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| the maximum amount of available light
| |
| | blazing summer's day or giving in to your
|
| anytime you're shooting inside.3. Get
| |
| | subject's natural move to shade his eyes
|
| Up-Front and PersonalGetting closer to
| |
| | or face, will likely give your digital
|
| your subject helps shed extra light on
| |
| | photograph either so much light that all
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| the subject, improves contrast and
| |
| | contrast is obscured, or else a
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| definition, and self-edits those
| |
| | zebra-like quality that detracts from the
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| sometimes bizarre background elements
| |
| | subject itself. Practice moving up close,
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| that can ruin a photo.4. Study the
| |
| | keeping the sun behind you, or choose
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| BackgroundPoles rising from a
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| | lightly shaded areas in which to shoot
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| politician's head ... telephone wires
| |
| | human subjects outdoors.
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| seeming to extend out of your loved one's
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| |
|
